Musician, producer, composer, singer,
DeLaurentis is one and more. 

©dominiquegau 

It’s the story of a French little girl who would watch her dad playing music, and quickly understood that musical notes could spring up and fly away from her arms, her hands, her fingers. The music was a part of her. With this revelation, the sky opened up to her.

After several years spent at the Conservatory, she went back to her hometown, where alone, she learned from her new strange friends : keyboards, machines, and computers.
She worked. A lot. With strength and temper, pleasure and ease.
This young woman progressively became DeLaurentis.

DeLaurentis settled in the French capital, Paris, in 2015, and released her first two EPs. She started to get noticed then, with her unique universe and music videos. Major French publications such as Trax, Rock & Folk and Les Inrockuptibles started talking about her music, and soon after, some of her songs were featured in national commercials, and her single “A Big Part of A Big Sun”, in the TV series “How to Get away with murder”.

Contemporary and vintage synthesizers mixed with the piano, loops and arpeggios creating sound walls around her melodies.

DeLaurentis builds a wall around her melodies where old and modern synthesizers, pianos, loops and arpeggios mix together. Her universe is described as « electro-cinematic » music, bright and dark at the same time.

Upon the release of her new album “Unica” on September 3, 2021, DeLaurentis has been featured on major publications worldwide, and she's rising to the top, being invited to all the TV shows in France and being booked for major festivals in 2022.

 

She was solicited by Ableton for several masterclasses in Europe and in the USA, and the famous DJ Joachim Garraud invited her in his Youtube show.

The production of her first album began in the summer of 2018. She spent two years in a spacious and luminous studio on the Canal Saint-Martin in Paris, continuously intensifying her relationship with her instruments and technology.
This is how DeLaurentis created her digital sister : Unica.

The 10 tracks album is a digital-tale that brings forth the emotions between a human artist and her machine.
It’s a strong and sensitive story about the fusion of two contemporary beings, in an enchanting mix of reality and imagination, flesh and processors, in contact with heady and effective tracks.
Her voice is the leading role in her musical films. Rhythmic or melodic, harmonious or vaporous, it is the blood that gives humanity to her addictive and synthetic travels.
Her musical inspirations are electronic, contemporary and cinematic at the same time. Like any artist, the link between music and image is essential in the creative process.
Inspired by Ryuichi Sakamoto, Max Richter, Brian Eno, Oneothrix Point Never and of course Laurie Anderson, one of the first women who pioneered electronic music. 

DeLaurentis collaborated with Dan Black, Yaron Herman, Daymark and Fabien Waltmann to produce this album. The song “Somewhere In Between” was recorded in collaboration with the artificial intelligence developed by the Spotify CTRL research lab, supervised by SKYGGE, a true pioneer in the AI world.

With her album Unica, DeLaurentis succeeded in creating the ideal connection between the woman and the machine ; the missing piece that fit between electronic music and A.I.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Discover the new single and music video of “Unica’s Cloud”, the introduction to her digital sister, Unica, and how she becomes a conscious, autonomous and an empathetic entity.

Unica shares her emotions and her vision of a world where human and machine could create and invent together; a common dream.